#Fl studio voice effects free#

You’ll end up with a perfect double instead of two vocal tracks that sound slightly out of sync with each other. This is especially easy with modern flex-time editing tools. If you have the ability through editing, you can make the vocal track stronger by tweaking the phrases to match exactly. When: Singers can’t always double their takes perfectly. Tweak pre-delay to 20 – 40 ms to hear how the reverb pushes back away from the initial phrases of the vocal. How: Most reverbs have a pre-delay setting. When: Pre-delay can make the reverb sound bigger without getting in the way of the vocal because it’s essentially delaying the effect of the reverb by the number of milliseconds you choose. How: Add a reverb after the delay bus and add a shortish delay so that every delay repeat will get diffused by the reverb. When: Sometimes you want to soften up a delay and make the delay repeats sound smoother. An advanced way to do it is with two mono delays panned hard left and hard right with one pitch shifter detuning the vocal 10 cents while the other pitches the vocal up 10 cents. Add the send under the main vocal track until you’ve achieved the desired ambience needed. Then use a pitch-shifter to detune or pitch up the vocal about 10 cents. How: Send the vocals to a stereo delay with 21 ms on the left and 29 ms on the right. It’ll make the vocal larger and more present without adding any reverb tail that could clutter up the mix. When: Use this technique when you want vocal depth without space. You can replicate this without the Kramer tape by using a slap echo and some analog saturation. How: I use the Kramer Tape plug-in and use the slap/delay section to add it to the main vocal without using it as a send. It makes the vocal sound like it’s recorded in an old-school studio with the instruments all around it. Add in the stereo widening until the vocal starts sounding larger 2. How: Send the vocal to a bus, add a compressor and a stereo widener. When: For subtle widening of vocals to add depth across the stereo spectrum. Whether you’re looking for parallel processing tricks for larger vocals, cool slapback echoes, advanced double-tracking or aggressive megaphone effects, you’ll learn them in here. The easiest way to make your vocals stand out in a song is the clever use of vocal effects to make the singer jump out the speakers.

#Fl studio voice effects free#

GET YOUR FREE VOCAL PRODUCTION CHECKLIST: 47 THINGS YOU NEED TO DO WHEN YOU PRODUCE VOCALS